Diana Ashdown

I am primarily a printmaker experimenting and devising different print techniques with lino, collagraph and eco prints, exploring texture and colour combinations. I use both surfaces (intaglio and relief) of the lino or collagraph matrix for focal depth, overlaying sympathetic colours to bring my ideas to fruition. A starting point for this work was finding […]

Rob Barnes

I trained as a painter-printmaker at Hull College of Art and Design in the 1960s. After a career teaching printmaking, first at Keswick Hall College, Norwich, then at The University of East Anglia, I now have my own studio. My prints are linocuts. I have returned to lino cutting as I enjoy the strongly physical […]

Vanna Bartlett

The inspiration for my work comes from the natural world around me. I am very much an amateur naturalist as well as an artist. In fact for me the two go hand in hand. It is my passion for wildlife that makes me want to capture it on paper while the artist in me wants […]

Kate Batchelor

I am a painter and printmaker and have worked as a freelance artist since leaving Dyfed College of Art in 1985, after studying Wildlife Illustration. Living on the beautiful East Anglian Coastline I am surrounded by constant source inspiration for my artwork. I have always printed and in more recent years it has become a […]

Sarah Bays

I am a printmaker living in Norwich producing prints from a small etching press on a tea trolley in the corner of my dining room. I find my inspiration in my surroundings: the Norfolk countryside, its wildlife, birds, farm animals and coast. I am often inspired by my morning dog walks: winter sunrises, the pattern […]

Louise Bird

I have always looked towards natural history for inspiration. During my degree course in Fine Art Printmaking, I became fascinated by bees and my interest has continued until this day. I get great satisfaction knowing that my artwork is helping spread awareness that bees are under threat from loss of habitat, as a result of […]

Lisa Bird

My print work is informed by my use of mixed media, the discipline I have been working in for over a decade. My interpretation of collograph printing is to conjure up the essence of a world controlled by cogs and gears, and the sense of fluid movement I see when I work with the printmaking […]

Kirsten Bomblies

I am a scientist – specifically a plant evolutionary geneticist – working at the John Innes Centre. Thus art is a hobby for me, but it is one that I love and thrive from. I have always loved drawing and illustration, but I started etching in July 2017. This has opened a whole new world […]

Paul Bommer

Amelia Bowman

I graduated from Norwich School of Art and Design in 2003 and went into digital illustration as well as working part time in secondary education. It was in 2006 that I first learned about the process of collagraphy and was instantly hooked! Later I reinvented my computer-based illustration skills in the form of pattern design […]

Jan Brown

After finishing my A level art exam over 40 years ago, I didn’t pick up a brush, paintbox or pencil until I took early retirement from primary school teaching 10 years ago. I became particularly interested in botanical painting in both watercolour and pencil. I was introduced to wood engraving when I went to an […]

Lauren Brunt

My creative practice uncovers and captures the detail hidden in English Civil War locations through screen-prints, showing the landscapes palimpsest, and revealing the disappearing past held within the land. As a life-long historical re-enactor, historical research has been central to my practice, with an investigation of the way in which my involvement in the Sealed Knot Society has influenced the […]

Kerry Buck

I graduated from the Norwich School of Art and Design in 1997 and have been working as a professional artist and illustrator since then. My clients include Norwich Union, The Museums’Association, Macmillan Publishers, Hodder and Stoughton Children’s Books and Which. More recently I have been commissioned by the Lynn Museum to provide large linocut illustrations […]

Vanessa Burroughes

I studied printed textiles at Middlesex University in London, specialising in designs for furnishing fabrics and wallpapers and have sold my dress fabrics in London, New York and Japan. My furnishing fabric clients include Libertys, Colefax and Fowler,John Lewis and G.P.and J Baker. I am currently creating one off screen prints onto collaged grounds and […]

Colin Bygrave

I was trained as a painter at Reading University under J.A.Betts, a pupil of Sickert, and have always had an interest in the representation of the visual world and our perception of it. Since retiring from teaching art, I have been painting and etching in my purpose-built studio at Briston. I enjoy landscape painting and […]

Liz Clark

I originally studied textile design at Winchester School of Art and worked in the fashion industry for many years. More recently I developed an interest in printmaking which resulted in an MA from Camberwell College of Arts, graduating in 2001. My recent linoprints are concerned with the juxtaposition of colour, deliberate pattern and composition and […]

Bev Coraldean

I am an illustrator and screen printer working in Norwich, going by the name Genealityart. I like to use a combination of architectural perspective drawings, detailed cityscapes and hand drawn type to explore my love for cities and this style often materialises in the form of screenprinted posters, comic books, murals, hand-drawn maps and illustrations […]

Anthony Dunigan

I was born in 1946 in Skegness, Lincolnshire I trained as a painter / printmaker at Hastings school of art and the City and Guilds of London Art School. At Hastings  I was introduced  to wood engraving by tutor Michael Renton and was attracted to the precise craft having previously been a cartographer with a […]

Chris Evans

I was educated at St. Martin’s School of Art where I studied illustration and fabric design. After graduating I worked in advertising and as a free-lance illustrator working mainly for educational publications. I began etching about fifteen year’s ago after attending a printmaking course at Suffolk College. As an illustrator the majority of my work […]

Hilary Evans

For most of my career I have worked in partnership with my husband as an illustrator. I joined a printmaking class to learn the intricacies of etching and the graphic qualities of Lino printing. Once I had gained experience of the various techniques I was able to explore my own ideas. I have always had […]

Theresa Fairbank

My passion for etching originates from initially studying under the tutelage of my father, a traditional and prolific etcher. Later I studied at Ipswich Art School and then at Goldsmiths College London. Having travelled extensively with my family throughout Europe and Australia, working predominantly in pen and ink on a variety of projects including design […]

Sally Freer

Sally’s monoprints are created from remembered impressions caught during regular walks as well as water colour studies. Her prints capture intricate hedgerows, ancient forests’ winding pathways, patterned fields coastline and waterways recorded throughout the seasons. The images are concerned with intervals of light and visual sensation. Each monoprint is a unique image printed on heavy […]

Julie Graham

I graduated in Graphic Design from Colchester School of Art and Design in 2012, where I developed a particular interest in printmaking. For the past five years, I have been developing my personal screen printing project ‘Little Fox Press’, whilst also working as a freelance Graphic Designer. Now living and working in Suffolk, the inspiration […]

Brigitte-Anne Hague

My work is an emotional response to my own life experiences – a remembered moment, an emotion or an idea – translated into the visual. Using different print processes, I work in both abstract and representational genres. My large abstract silkscreen works are a non-ironic poetic aesthetic – an exploration of what we feel, perceive […]

Sally Hirst

My work has always reflected where I live, places I visit and journeys I embark upon. The texture, architecture, signage and structures of each new environment dictate the development of my artwork. My prints incorporate a range of techniques including collagraphy, carborundum, monoprinting and relief printing. I describe myself as an experimental artist. For me […]

Richard Horne

Leanda Jaine Hughes

Leanda Jaine is a Norwich based Illustrator who graduated from NUA with a first class honours degree in Illustration. Inspired by the Norfolk and Norwich area, Leanda uses screen-printing, linocuts, etching and embossing to create her distinctive and original artwork. She currently resides in her studio at Golden Lion house in the Norwich city centre […]

H.J Jackson

Veteran Norfolk printmaker, H.J.Jackson has been producing his full-colour linocuts for over sixty years. On leaving the Norwich School of Art in the late 1950s he had to devise a method of printing without the services of a press. Ingeniously, the answer was to use the base of his tobacco tin as a burnishing tool […]

Clare Johnson

I studied Fine Art at Canterbury Art College. I have worked in the art world ever since, first knitwear, then animatronic costume making at Jim Hensons, followed by community projects, (mostly based around printing on fabric, banners and flags with schools, elderly care, hospitals and even football clubs). More recently after a move to East […]

Vicki Johnson

I am a Norwich based designer and printmaker trading under the name Printer Johnson. I have a background in textile design and take my inspiration from flora, fauna and folklore and enjoy bright colour combinations and overlays. I specialise in design for screen printing and Risograph and use these processes to produce the majority of […]

Colin Johnson

I am an artist living in North Norfolk. I graduated in Fine Art at Norwich University College of the Arts in 2010. ‘I walk and I collect artefacts, fragments and samples, my work is an exploration and categorization of these found pieces.’ The North Norfolk coastline is a frequent source of inspiration for my work. […]

David Jones

I am both a painter and printmaker. My prints are mostly but not exclusively topographical. I have made a large number of prints of historic buildings in Norfolk and Suffolk. I am particularly interested in history and the way that traces of the past may still be found in even the most modern city-scape. In […]

Jane Kemp

I originally studied textile design and worked in a design studio producing surface pattern designs for the fashion industry in London. Since then I moved to North Norfolk and after a time caring for my children studied illustration at NUA graduating in 2014, specializing in printmaking especially lino cut. My inspiration comes from history especially […]

Annette Kreiser

I worked as an environmental scientist and teacher before moving into printmaking in 2013. As a printmaker I am fascinated by weathered surfaces and the stories they tell of their interaction with people, landscape and the elements. I use these textured surfaces as inspiration for my collaged printing plates which are then used in an […]

Vanessa Lubach

I grew up in Oxfordshire and trained as an illustrator in Brighton, graduating in 1990. Observational drawing has always been at the core of what I do, whether it is illustrating, painting or printmaking. My linocuts are intricately carved and multi-layered and are printed using a Harry F Rochat Albion Press in my studio in […]

Jayne McConnell

My Practice explores the relationship between, and in particular, clothing with a collective conscience, formed by social histories and personal attachment. The touch, look and feel of material is familiar to us all, and on our first entrance to the world we are wrapped and cushioned from our environment, usually in some form of textile. […]

Paul McNeill

My work often includes typography and I use letterpress that then informs my screen printing. I am a volunteer at The John Jarrold Printing Museum, Norwich where we demonstrate and use antique wooden and metal type. I explore alphabets, phrases and experiment with what type can be. I teach Letterpress at Print to the People: […]

Rory McShane

I am interested in trying to make work that achieves a balance between still and moving elements. This idea can be found in a variety of subjects; from looking at the contrast between the movement of water inside and outside a harbour; or in the pattern of weather systems moving across the globe, or in […]

Martin Mitchell

International acclaimed mezzotint artist Martin Mitchell, his work is rooted in the traditional process of intaglio & relief printmaking. Producing with out nostalgia or sentimentality, acclaimed tonal landscapes. “For me art is combining the aesthetics of the image and the dexterity of the craft skills of the artist. This I feel is best exemplified in […]

Tracy Myers

I produce editions of 12 or less prints using collagraph plates and techniques. Each print is a unique version of its siblings. My subjects are varied – from landscape to gardens, portraits to animals and birds. I am currently working on a large body of ideas inspired by recent trips to Iceland, old family photographs […]

Elaine Nason

I make lino prints and monoprints and my subjects are concerned with the human figure, usually in a domestic situation, or still life. Like many artists I use drawings as my starting point. When lino printing I usually cut separate blocks for each colour but occasionally use the reduction method where one block is systematically […]

Tricia Newell

I studied Illustration and Graphic Design at Ipswich Art School, graduating in 1979 and I worked as a freelance illustrator of nature and children’s books for many years. In 2014 I attended a workshop to learn woodcutting at Sudbourne Park Printmakers and this led to me becoming a member of the group. My main artistic […]

Chrissy Norman

After several years as a watercolourist, etching took over in 1999 and I have been fascinated by the medium ever since. I work in different ways dependent upon subject matter but often find myself using a soft or hard ground drawing combined with aquatint for tone. The challenge is to decide just how much outline […]

Julie Orpen

I produce lino prints and engravings using the historic presses at Gainsborough’s House workshop in Sudbury, Suffolk, as well as printing in my garden studio at home. I studied Graphic Design at Norwich School of Art, and have attended courses and evening classes since then which have enabled me to expand my knowledge and practise of […]

Maria Pavledis

I am exploring the ways in which people process events and experiences through personal narratives or stories.  These connect with oral traditions of folk and fairy tale, articulating often  complex stories through a narrative symbolism of animals and natural forms. In particular I use the relationship between humans and animals as a way of exploring […]

Keziah Philipps

Keziah Philipps is an animator printmaker who works both with the traditional medium of printmaking, and the relatively modern medium of animation, often combining the two. Much of her work explores people’s relation to place and their movement within it, utilising various cartographical elements. Keziah won the Assembly House art prize and has been based in […]

Toby Rampton

Working from a cosy attic studio I print, paint and bind my way through the day by creating characters, landscapes and typograpgy for all things print including picture books, magazines, posters and giftware. My images are fuelled by whimsical mid-century design and traditional print processes.

Reece Reilly

My work is predominantly screen or relief printed onto paper although lately I have been working with printed textiles. As a recent fine art graduate, my work focuses on the interception of information and how we can form new ideas and imagery by altering and disrupting what already exists. Combining elements of collage and drawing […]

Chris Richford

In 2004 I moved to Norwich to I study biology and natural sciences at UEA. I completed my education with an MSc in Plant Genetics and Crop improvement at the John Innes Centre. Despite, or maybe because of my fascination with the natural sciences I have always pursued art in my own time and over […]

Laurie Rudling

I am a landscape artist who draws strongly from direct observation of the natural world. I am more influenced by the realist rather than naturalist traditions and I reserve the right to change, transform and transpace in the search for the essential in any particular place. My work is known most widely through aquatint etchings, […]

Nicola Slattery

For me there are occasions when I’ve made a print and it inspires me to create a painting with a similar idea and composition in mind. Then at other times it works the other way round and I create a print inspired by one of my paintings. They are not intended to be copies of […]

Ivy Smith

I am a figurative painter-printmaker. My usual print methods are linocut and etching. My main area of interest is the figure. I am interested in people’s particularity and humanity, and in the dynamic relationships  made by unconsidered movements and interactions, and the expressive possibilities these lead to in, for instance, the positions of head and […]

Jo Stafford

Since graduating with a degree in Illustration a fair few years ago now, I have spent my time since doing just that with a bit of design work, printmaking and workshop teaching thrown in for good measure. My work in general varies enormously in subject matter, technique and materials used, however my focus is always […]

Louise Stebbing

I have been mesmerised by printmaking techniques since attending Art Foundation Course at Cambridge followed by completing a degree course in Sheffield and Postgraduate Printmaking at Camberwell, London. I use a variety of techniques but recently have concentrated on linocuts. I draw inspiration from my environment and try to capture the essence of a place. […]

Liz Taunt

I returned to printmaking in 2016 after working with textiles and papier mache for some time. My father, a mathematician, grappled with purely abstract concepts. In my prints I attempt to construct their visual counterparts, which are inevitably a little less precise. They are made by playing with the conventional elements of abstraction: colour, tone, […]

James Treadaway

As co-founder of Off The Press Collective, I organise events and exhibitions involving a spectrum of talented artists. The themes from these exhibitions have a huge influence on my own work, often bouncing it new directions. Simple shapes, bold colour, pointy teeth and horns are recurring motifs, film and literature provide the spark. I’m so […]

Mandy Walden

I have always lived, as have my family for many generations, within a few miles of the Suffolk coastline and it is the unique character and history of this landscape which remains a constant source of fascination and inspiration for me. I intend in my work to celebrate this landscape and the wildlife to be […]

Laura White

I am a Norwich based printmaker and a Fine Art graduate from the Norwich University College of the Arts, 2010. I specialise in etching and mezzotint but since my degree have started to develop my work to combine new methods such as woodcut and linocut. Most of my prints are based on familiar childhood themes, […]

Paula White

I grew up and still live by the sea, in Lowestoft on the Suffolk Coast. I am inspired by my hometown and surrounding areas; the remnants of a thriving fishing industry, working and industrial landscapes, crafts, trades and a real love for the everyday, people, workers and places. I graduated in 2000 with a Design […]