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I am interested in rhythms in the landscape and how this can be translated into Art through relationships of line, tone, shape etc.
I have enjoyed experimenting with carborundum powder and glue to create a dense black in printmaking, and also by revealing wood grain in relief prints.
I like to work with simplified marks and shapes such as squares, because they relate to each other visually and can have a number of different possible meanings - this is potentially a source of visual poetry. I also like oppositions in a picture, such as stillness set against movement - or male and female forms together. I am influenced by Oriental Art in this respect.
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